Showing posts with label denim. Show all posts
Showing posts with label denim. Show all posts

Today




Today has been made for pottering about your empty apartment in overalls and stripes, putting flowers and leaves in milk bottle vases, watching the light stream in through windows for hours on end and eating jam on toast (and nothing else). These days are so good sometimes you wonder if you dreamt them all up in your head. Take a picture.

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in the kitchen



The first time I went to the Nordic Bakery I didn't care about cinnamon buns or prawn sandwiches or elderflower tea. I was meeting Stevie for the first time and was so excited and so cold and (so) late. Happily, so was she, and we spent a couple of hours chatting about nothing and keeping warm. I remember Stevie tried to get a sneaky picture of the girls in their aprons (and cos she loves a good pinnie) because they were just that cool. Seeing these pictures of chef Soli Zardosht in London brings it all back. This is how all aprons ought to look if they possibly can. Thick straps, low armholes, big pockets, and a slip-into-it pinafore quality. I'm a messy cook - aren't we all? - and I need an apron. I need an apron to keep a tea towel in, to protect my clothes, to wipe my hands on when they're sticky with the residue of peach juice or tomatoes or olive oil, to leave on when you have to dash down the road to buy more golden syrup, to let the straps slip comfortably off your shoulder. But I want an apron because they're just that cool.

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Uniform (2)




Maybe it's the sudden cold snap that we've had, but I've rediscovered my overalls, in a big way. I put them to the side for a little bit once I fell (truly, madly) deeply in love with birkenstocks, and feared that pairing the two together might be somewhat of an unforgiveable fashion faux pas. Not that I care about things like that, but... well there are only so many questioning stares that a gal can take. But over the weekend, as the chill creeped in - over blankets and through thin cardigans - I realised that what I really wanted to wear was something all in one, with deep pockets and thick straps and a bracing, reassuring sturdiness. I curled up in my parent's bed, electric blanket set to HIGH, and read books and drank tea and furled and unfurled my toes and played with my hair and thought about painting my nails. A few times I had visitors, they came with cake and left with none, and I sat cross-legged on an armchair, plotting international trips and gossiping. Overalls are so comfortable, so effortless, so easy, in all situations. They are made for the weekend. And that is what we really talk about when we talk about overalls. 

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uniform

Untitled #359



At the moment I can't seem to stop wearing this. It's comfy and a little off kilter - the cropped sweater and xxlong tee make for an odd partnership, and let's not get started on the stocks - but there's something about it that I'm finding strangely compelling. I'm glad that I've got one more week of sweater weather ahead of me so I can enjoy the simplicity of this, five days in a row. 

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cinematic style - Jake Gyllenhaal in Brokeback Mountain



So you know how you know who your first crush was? The one whose poster you plastered all over your walls, the one you fell asleep looking at, the one you secretly (or not so secretly) planned to marry. 'My future husband' you would say. It almost doesn't matter who it is. It could be Leo, it could be a Backstreet Boy, it could be Seth Cohen (a thousand teenage girls of the noughties sigh). Well, for me, that first crush, last crush, always crush was Jake Gyllenhaal. Oh Jake. You have no idea how bad it gets. I wish I knew how to quit you. Not even when my friends tell me that his eyes are too close together (on the weekend, while in an absolute dive bar, my oldest bud said to me 'look I'm not saying that if he took his clothes off in front of me I'd say no, but seriously, on a scale of one to cyclops he's like a 7, maybe 7.5'). Not ever. I have loved him since Donnie Darko. I saw Prince of Persia three times in the cinema. And don't even get me started on Love and Other Drugs...

I remember seeing Brokeback Mountain. I remember falling in love. I remember double denim. I remember crying so hard I thought people might ask me to leave. At the 2006 Oscars I remember wanting so bad for Brokeback to win the best picture award. I remember feeling gutted when it didn't. But there was Heath and Michelle (in that dress!) and Ang's speech and Jake being hilarious. My sixteen year old self wondered how such a beautiful, haunting, overwhelming film could miss out on the top honour. A slave to awards shows even then, I had not yet realised how political they could be. I still had stars in my eyes. I'm lucky that that first realisation didn't kill the whole enterprise. I laughed along with the rest of them at 36mafia 1, Scorsese 0. I hoped, rather than knew, Ang Lee's (and Heath's and Jake's) time would come. I remember crying like a baby when Heath died, thinking the whole time of this.

What's so good about this wardrobe? it's the cowboy thing, firstly. I've always been drawn to a good felt hat and have recently adopted double denim as my unofficial wardrobe of spring. Shearling I know well. But what I am drawn to at the moment is the whole 70s vibe. I have recently watched a few movies set in the 70s (Rush, Jobs), and god, it was a sexy era. The open shirts, the tight jeans, the big belts, the big hair.  Men looked masculine. They acted masculine too - rode horses, smoked cigarettes, punched things - but most of all they looked the part in their denim and shearling and shirts. I think the normalcy of the wardrobe in this does much to advance character development. The torment of the Ennis and Jack is only heightened by their relative anonymity. They look the part, they just can't act it. That tension between reality and fiction, the tension of living a lie, is always the major theme I take away from the film. I think the costumes express that tension so, so admirably.

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much too hot for me



It's much too hot for jeans today but I literally cannot stop wearing blue denim and black birkenstocks. It's just easy. I handed in my full draft to my supervisor yesterday and now I have a day of grace before I get the comments back and have to hit the ground running. So, naturally, instead of doing any of the million things I have stacked up in my mental to-do list, I read in bed all morning and drank ice-cold water through a straw. I'm not great in the heat, but on days like this I don't mind it, not at all.

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the trench

celebutopia

Seeing Alexa out and about in a trench coat is like seeing your first boyfriend walking down the street looking so damn good. You know it's been years but you kind of think, why did we ever break up? So Alexa, why did we ever break up? 

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the future


I know the kind of life I want I just don't know how to get it. Whenever I have a nothing day - like today, sorry thesis - I tend to think about the future. People have been asking me a lot and I don't have a sensible answer for them. I wish I could just show them the pictures from this series and leave it at that.

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double up


the face // celebutopia // all the pretty birds

So... I got birkenstocks and, as predicted, haven't really taken them off. I've found them to be the easy shoes, the ones you don't have to think about, the ones you slip into last minute as you run out the door, the ones you slip off the second you get home, the ones that get you through a full day at uni (or a half day at cafe). They're a slow-burner - they're like overnight oats - but once you come around to them it becomes pretty clear you might never wear anything else.

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things I'm going to do this summer - #7-11


the cobra snake // kinfolk // narumi // fashionvibe // pastry affair

seven. drip mango juice onto bare legs and terracotta tiles. 
eight. take a road trip with friends in a convertible car and sing s club seven at the top of our lungs.
nine. have breakfast by myself at cafes to read the newspaper. 
ten. wear birkenstocks and overalls every single day.
eleven. make a nordic pancake cake, maybe this summer's answer to the omnipresent eton mess.

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cinematic style - Anne Hathaway in Love and Other Drugs


So I'm not a particularly huge fan of Anne Hathaway - I'm not a hatha-hater, but I just wouldn't see a movie because she's in it, in the way I would for, say, Carey Mulligan or Natalie Portman - and, let's be honest, I definitely didn't see this movie for Anne Hathaway. I saw it for Jake. Always Jake. But right now I'm in the throes of a 90s revival so big it threatens to take over my wardrobe (cami slip dress: check, birkenstocks: check, overalls: check check check) and I can't help but fall in love with the grungey, grown-up my-so-called-life-y style that Annie is wearing in this film. (or not wearing, when it comes down to it). 

I just finished reading the new J.K Rowling book - the one she wrote under a pseudonym - and there's a bit in it where the main character Cormoran Strike describes the apartment of model Ciara Porter as messy and girlish, like the apartment of a teenager left unsupervised. That's how I see anne hathaway's wardrobe in this movie. She's living that dream of adolescents the world round: nobody to tell me what to do. That's why in some sense her ludicrously lovely apartment (struggling artist she is not, judging by that sprawling warehouse space, but then movies never accurately represent socioeconomic realities when it comes to living space, do they?), is endearing and charming in its messiness, and her wardrobe, which is legitimately the kind of stuff Angela Chase used to run around in works, even though she's a grown-up woman with grown-up responsibilities. Maybe that was also a little bit of the 90s - when overalls were the hippest thing since slice bread and tartan shirts with tights with rips in them were trendy. So many of those 90s trends are, in some sense, ageless. Women of all ages run around in pared-back CBK minimalism and look fantastic - even the super youthful Ashley Olsen, or perhaps especially her - and I think the reverse is true for this grungey style, to a point. It's a youthful look but it's one that seems to work across ages. You could take elements of this look and wear them at 15, 35, 55 and 85 ('Fabulous at Every Age!'). 

Maybe it's the sartorial mood I'm drawn to at the moment. I have started to seek out clothes that appeal to my tactile senses - I want soft denim shirts, thick knitted sweaters, the nubby worn-in patches on flannel shirts, the ease of slipping into a pair of overalls, the sheer comfiness of those german sandals. That's a 90s thing, too. And I look at Anne Hathaway's wardrobe in this movie and I see just that: silky chinese dressing gowns, pin-tucked broderie anglaise, the ridges of burgundy corduroy (!!!) and the classic feel of a woolen camel coat.

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the honeymoon period




Definitely still in the thralls of my overall honeymoon period. While in Tasmania I've barely worn anything else, rotating between denim and black twill with a roster of sweaters underneath, a knitted beanie up top and a big coat over it all to combat some of that bass strait chill. Just my kind of weather.

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moderne

'Her manner is shy, but casual and friendly, and her gamine face crinkles easily into an attractive, rather secret smile. She wore a simple black sweater and gray skirt; if she is a vain girl the only indication of it was her high-heeled shoes, which were of elegantly worked light gray leather... She is sincere and helpful, but questions that are pompous or elaborate, or about personal life, or that might be interpreted as challenging her work, are liable to elicit only a simple “oui” or “non,” or “je ne sais pas—je ne sais pas du tout”—and then an amused, disconcerting smile.' 

On Francoise Sagan's style, The Paris Review Art of Fiction No. 15



La Garconne Moderne is the epitome of how I wished I dressed. Therein lies the slight - and yes, slightly upsetting - distinction, in that even though in my head I look like this as I go about my daily chores it all ends up a bit scruffier due to my general inability to look put together. Such is life. As it is the quarterly look books that are posited unceremoniously into my inbox provide me with endless sartorial inspiration. A pair of straight leg jeans and a turtleneck here, a tunic and a barette there, there's something about the way these ensembles - inspired by thoughtful, understated icons like Joan Didion - speak for themselves, just loud enough to be noticed by those who are truly looking for them. Style that is secretive in its elegance and distinction, that conceals much - the body, the insecurities, the price tags - but that still has that certain something the French like to call je ne sais quoi. Every season La Garconne Moderne has it, and I want it, oh so badly.

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sunkissed


glassons lookbooks - Petra Collins and Staz Lindes


One of my friends just returned from a trip to the America sunkissed and ebullient and permanently smiling. She couldn't stop talking about the people she met and the things she saw and the donuts and ice creams and cookies that she ate. She was like a walking, talking Glassons lookbook, where the girls grin always in their denim playsuits and anoraks. Girls who just want to have fun. How could you have anything but in their whimsical, don't-take-it-too-seriously clothes? I'm wearing my glassons overalls as I write this and, let's be honest, have rarely worn anything else this winter. There's something about the simplicity and ease of their clothes that makes them instantly wearable and instantly indispensable.  I loved the last Glassons campaign and I love this one just as much. It's a different kind of look - more cali girl babe than rugged winter gal - but it's just what I need in the middle of this cold snap. It's got me dreaming of America again, where everything is bigger and brighter and bolder and where nobody, not even the cities, sleep.

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cinematic style - overalls on film




Abbie Cornish in Candy // Samantha Mathis in the extraordinarily underrated Jack and Sarah // Demi Moore in Striptease // Mena Suvari in the truly awful (but doesn't she look cute?) American Virgin // Jennifer Aniston in The Object of My Affection

overalls are everything.

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