well read

Out-takes by Rachel Kara for Brace . See the full article here.

Working with RKB is always a dream. There's an instinctiveness to the way she shoots that makes her the ultimate partner in crime; who would you rather have driving the getaway car? The person who asks you if it's time to go or the one who's had the engine running since you ran into the bank? This piece we shot for Brace Digital with Brenda, the creative director behind my favourite Australian label Benah, was my favourite kind of work. Friends coming together, talking about nothing but books, bottomless pots of tea and wishing hopelessly for cake. I feel like I always say this when Rachel is involved, but if only it could always be this good.

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the start of things

'I remember the rain - how it hammered day and night against the windowpanes; how my grandmother left a hay bale outside the back door to act as a dam; how Mrs Maddox came to us for buckets when her porch began leaking... My grandfather's hair plastered itself down over his forehead, like weed. And I remember how, by Valentine's Day, the heaving ewes were huddled in the barn, the Brych finally burst her banks, and the mud came. Mud - such a small word. It looks weak, bashful, what harm can three letters do? The answer is more than you think. That mud was the start of things.' 

Susan Fletcher, Eve Green


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