glorious mornings




It's my weekend off and I'm having a lie in. Planning on catching up with friends, having yummy baguettes for lunch and catch up on sleep. I feel like every time I have my weekend off I squander it, I rush around and do things. This week I'm just going to relax, so that I'm nice and rested come next week. Not a bad idea, right? 

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boutique browsing - Blood Orange


uhh

I guess I got inspired by shops. I do love shops. I'm not a shopaholic, at least I don't think so, but there really is nothing like the thrill of a new shopping bag. You can't get it online or by mail. It's about handing over the money and getting back a crisp shopping bag with tissue paper inside hiding your beautiful new things. It's how good shops smell - like rose and sandalwood candles from ginger and smart. It's about how something new can make you feel like a superstar. It's about taking your time to wander from shop to shop and get excited by fashion or food or whatever floats your book. 

Blood Orange is a store that excites. Owner Loren Abood is a woman famed for her excellent, infallible taste. Her store is a testament to modern dressing and she has an edit that is renowned for its intelligence, wit and above all - brevity - her shop has only 2 racks, and none of them crammed. She buys things that she loves, like little Arnsdorf bandage skirts, Gary Bigeni draped dresses and the best collection of A.P.C this side of the equator. Her store has recently undergone a refurbishment and has returned victorious with exposed concrete, floor to ceiling mirrors and a design that is as city sleek as their oil slick clothes. The accesories are just as good - the perfect cross section of Alexander Wang shoes and bags along with the mania mania jewellery and K.Jacques sandals which fly out the door as soon as they arrive in November and December. Blood Orange also stocks popular Australian labels Therese Rawsthorne and Karla Spetic as well as the street-wear staple Bassike - as seen on Sarah Jessica Parker. This season Loren adds the recently revamped Carven to the mix with enough buzz surrounding it to warrant a trip just to check out what new blood Guillame Henry can inject into the old couture house. 


L-R: Arnsdorf, Gary Bigeni, Bassike, Alexander Wang (vogue.com.au, style.com) 

The Elizabeth Bay address makes it a real destination shop. This is a shop that you are catching a bus/train and walking 5 minutes to get to. And unless you live in the lap of luxury down there in Potts Point then you're not walking past it on your way home. But if you do go a little out of your way you are rewarded with this gem of a boutique that really captures the atmosphere of downtown Parisienne cool for a laid back Australian girl. The funny thing is, is that the majority of her labels are Australian. I think one of the best things about Blood Orange is the way Loren Abood promotes, celebrates and shows off Australian designers. Blood Orange always makes me re-evaluate the position of Australian designers. Our fashion industry has never looked, well, cooler, than in her hands.

This isn't a store you could spend a day in, but it is a store that reminds you that shopping needn't be a day-long extravaganza as it so often turns into. Blood Orange is the definition of a "one-stop-shop". You can buy the glitz of Wang, the casual of Bassike, the charm of Arnsdorf and the sleekness of Carven. Topped off with a necklace or two from Loren's travels through Europe and some shoes you can be ready to go - wherever. Jet-setting, clubbing or to work. You can even buy a diptyque candle at Blood Orange. If I had the money, the body and the inclination, I might never shop anywhere else.

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done it again


Loath as I am to merely post a picture direct from the sartorialist (which is why i did a little reflection editing, natch), I couldn't NOT post this. The sart is a streetstyle photographer, for those of you who have been living under a rock for the past 2 years or so, who not only takes beautiful, beautiful photos but also, when he chooses, accompanies them with really succinct and economic commentaries on the fashion industry. When he posted this picture this morning he added - "this is why biking is good for your legs". And bloody hell, this picture makes me want to go find a bike and get cycling. Look at her! That, right there, is the epitome of all-american athletic beauty. Here in Sydney our mayor Clover Moore is trying to set up a bike track and bikes-for-hire all around the city. A Paris in Paddington, as it were. Clover Moore's Public Relation team should take a leaf out of this book. Biking has NEVER looked this good.

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the life aquatic








"The Life Aquatic"
Ph: Max Doyle
Stylist: Naomi Smith
Model: Abbey Lee Kershaw
Vogue Australia, March 2010 (image order here not the same as magazine)


The editorial that started it all. That re-kindled my love of all things Australia. That made me want to dip-dye my hair a garish pink. That made me scour every Mecca Cosmetica and M.A.C counter for a suitable orange lipstick with high octane pigment. That made me seriously consider a Lisa Marie Fernandez wet-suit mini skirt (and I don't do mini, wet or suit). That made me fall in love with Assad Mounser. That re-affirmed that Abbey Lee Kershaw is one of the best models working today. That made me want to throw on an itty-bitty swimsuit and head for the beach.

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fleurette











kinga burza blog, garance dore, vogue us, tumblr

pretty pictures, some vintage moss, a touch of alexa (as always), and a little questionnaire (based on the ones in Purple magazine). It's a slow thursday, i think. Please post your answers in the comment box!

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light surrounding you


l'officiel

These kinds of photos, where the light is blinding and blotting out whole corners of image, are quite spectacular. It is light that you can only really fully comprehend through a camera. Light that is blinding, that and seems to enhance everything around it with a rosy, hazy glow. It is the light for which the word "illuminates" was surely conceived. It is light that is brilliant. Photos like this have a beautiful stillness to them as if the camera has crystallised a moment in time. they are my favourite - regardless of subject, although these ones of alexa are obviously close to home. Maybe you can't see the whole thing, maybe it's out of focus, maybe the light blots out whole sections of an outfit, or face, or body. But it doesn't matter, because this is real. 

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lip service


sans artifice


I don't wear a lot of make up. I own a lot of make up, but I don't really wear that much at all. A small concession I make is glitter on my eyes (Mac reflects antique gold, super shiny and goes on a treat!) and a bit of mascara. Oh, and a healthy dose of lipstick. I LOVE lipstick. I love chalky ones, matte ones, shiny ones, sheer ones, ones with loads of colour and ones with barely a hint. I love the way it goes on, I love how a crimson lip can raise an outfit and a frosted one bring it down. I love how a deep plum makes you mysterious and a bright orange coral sends off all the right signals. I love how you can't hide behind lipstick - these are my lips. Here. Kiss. I love how you can go super modern - my friend wears black lipstick sometimes and it is something remarkable! - or very traditional with blush pinks and simple browns. 

I have heard good things about the Tom Ford lipstick collection, dropping into David Jones stores across Australia in August. They are lipstick drenched in colour ranging from a plum to the perfect nude with high shine and a moist, smooth finish. They are super luxurious - British Vogue said silk for the lips - and they are encased in an ivory and gold hardware that is so typical Tom Ford. Why do it if you can't go all out? He said that he imagined Julianne Moore's character Charlie from his film "A single Man" as the kind of woman who wears these lipsticks and scatters them across her dressing table. Clad in a feather-collared dressing gown she would smear some pink in the morning, some brown in the afternoon and some red, baby, red in the evening. Tom Ford says these are lipsticks for women - isn't everything he ever does for "women" - but I see his point. These are lipsticks for the woman who LOVES to wear lipstick, they are high-impact, takes-no-prisoners lipsticks. You can't make second guesses or mistakes wearing these lipsticks. You have to be bold, dynamic and in charge. 

I am none of those things, but perhaps with a tom ford lipstick.... won over by advertising, again! That's me!

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picture perfect






"Bildschon" (picture perfect)
Ph: Karl Lagerfeld
Stylist: Caroline Arn
Model: Claudia Schiffer
Vogue Germany March 2010

A good editorial is one which not only inspires you and captivates you and intrigues you, but one that changes your mind about the clothes they features. It can be as simple as an editorial that convinces you that the shoulder pad trophy jacket really is for you, or that military shapes aren't getting tired and over-done, but can be fresh and exciting. Or it can be Karl Lagerfeld with Claudia Schiffer as Frida Kahlo in the Spring/Summer collections. It is incredible how these collections take on a whole new light when styled in this way. I would never have noticed all the exotica, all the patterns, all those painterly, artistic flare throughout designers like Bottega Veneta, Chanel and Rochas. An editorial that has the ability to open you eyes to something new in fashion is a great one indeed. Hats off to Karl Lagerfeld who shot this editorial, and for Claudia for pulling it off. She may be the fairest Frida Kahlo I've ever seen, but she looks bloody good in a poncho.

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diptyque dreaming

illustration by carine brancowitz


Why are we all bonkers for Diptype? Is it that alluring minimalism of the packaging that is so sexy and french? Is it that old-wordliness of the scents and flavours? Is it the way those black and white labels bely a world of exotica? Is it the way that a diptyque moment seems to coincide with something important with your life (my first spritz of l'ombre dans l'eau was in paris, in love). Is it because of the hype, or is it because they remind you of better times? Is it because they have a scent for everyone - sandalwood, orange, woody incenses and leafy greens. 

Or is it because they just smell so damn good. 

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precious cargo


tfs, vanessa jackman

Reading the article about Natalie Massenet in this month's Vogue UK ("Net Prophet") I was captured by more than one thing. Firstly - Natalie Massenet sold her 51% share in Net-A-Porter for... $350 million. That is serious, serious money! Secondly - that Natalie approached current  Vogue UK editor Alexandra Shulman with her idea for an online luxury shopping destination and Shulman was skeptic and refused to invest. I thought it was interesting that Shulman owned to this, as she (and one imagines, hundreds of other high-flying fashion characters across the world), are rueing the day they turned down the ambitious American girl who was then Isabella Blow's fashion assistant. And thirdly - cargo pants are going to be HUGE this season. J Brand Cargo pants, to be exact (every girl in the NAP offices have put an order in for them, apparently). Not the baggy, bulky kind of your tomboy youth, but the slim-fitting, super sleek kind. In every colour from resplendent peacock green to a darker, more faded wash. Covered with everything from holes, rips, tears and zips - and loads of pockets. The cargo pant is this seasons cargo jacket, and I predict the social pages of Tatler and the street-style blogs to be filled with girls in drapey camel coats, a pretty little lacey shirt, loads of jangling chains and a pair of slim-fit cargo pants, cuffed at the ankle. 

You heard it here first (ish, via Vogue UK). 

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four corners






caroline's mode and tommy ton for style.com

The colour of milky tea with puffy, sausage-like sleeves that phoebe philo herself endorses, contrasting leather and suede and more zips than an american state - from any angle, this celine jacket looks good. 

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all mine


I'm a jewellery girl. I love necklaces, bracelets, cuffs, rings, chains, pendants, earrings, stones of all kinds... need i go on? I believe that a good piece of jewellery can change an outfit. And with Assad Mounser you could be wearing a tracksuit and still look fabulous. Amanda Assad Mounser is a 32 year old New Yawker who used to design for Moschino and now creates "phunky phresh" necklaces and bracelets that are crazy, over the top and just how I like my jewellery - Attention Grabbing. These are STATEMENT pieces. These are necklaces that declare "i'm here. now buy me a goddamn drink". What I like about my Assad Mounser necklace is the mish mash of all the different elements. There are heavy metal spikes, colourful beads and a plethora of different coloured chains. There is even some Givenchy-esque cubes hanging off the bottom. It's a heavy necklace, yes, but it is bloody spectacular. It's a necklace that isn't run of the mill or everyday - but totally unique and incredibly, painfully hip (trust me, an hour in this bad boy and your neck starts to protest). I first got exposed to them through the liberty website, one of my guilty pleasures is scrolling through there, imagining what I would buy if there myself. Then I saw them draped over Abbey Lee in the March issue of Vogue Australia. Then I found out they were stocked in none other than my favourite store in the whole world - Lands End. The points were stacking up in favour for getting a piece of Assad Mounser. 

And then they went on sale. 

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boutique browsing - Belinda Paddington



all images Belinda Blog

You all know my love for Lands End. It's right near my house, I pop in there almost daily and I come out invariably a little poorer because I've been seduced by their amazing sales and beautiful stock. The last time I wandered in there I bought an Assad Mounser necklace and a Selftitled jumper - but more on that later. Remember way back when I posted about my love for Lands End? I thought I would make it a regular post, talking about stores I love and what not but I never really did it. Well, I bloody feel like doing another one now. So here you have it - the much belated second instalment of Boutique Browsing with Belinda Paddington. 

Belinda Paddington is my favourite of all the Belinda stores. For those of you not from Australia, Belinda is the chain of boutique started by Belinda Seper, arguably Australia's most celebrated buyer. She was the first woman to really bring Luxury to our shores, and her stores stock the big ticket labels like Givenchy, Lanvin, Nina Ricci, Dries Van Noten, CHristopher Kane and Marni. She also opened the stand alone Marni and Vanessa Bruno stores in Australia - although Vanessa Bruno is now her Paddington store. She is enormously respected and cultish-ly followed. I imagine that her first store (the Double Bay one) was a huge favourite of budding fashionistas like Lands End is now. She made designers like Stella McCartney into brand names in Australia. Whatever she buys turns into gold. She was one of the first retailers to get behind Camilla Skovgaard and look where she is now! She also has the smaller, younger stores, The Corner Shop in Paddington and The Strand Arcade in Sydney, which stock labels like Josh Goot, Isabel Marant Etoile and Marc by Marc Jacobs. 



Belinda Paddington is possibly the youngest of all the Belinda stores. It is another beautifully edited boutique filled with clothes that are polished and sleek in that very European way, but still young. Unlike the high-flying suits of the MLC and the "ladies who lunch" circle skirts of Double Bay, the Paddington store stocks labels like Alexander Wang, Vanessa Bruno, L'Agence, Vince and Velvet as well as accessories from Camilla Skovgaard, Marc by Marc Jacobs, Kirt Holmes and Jamin Puech. I liken it to Colette in France (whilst the MLC boutique is like Barneys and the Double Bay one like Harvey Nichols). It's a store for a woman who's willing to try drop crotch track pants, cropped leather jackets and the Alexander Wang Mirte sandal-boots. In short, the Taylor Tomasi's of Australia. Her murky grey, charcoal and chocolate palette punctuated by shots of bright colour reigns supreme at Belinda Paddington. They stock a range of price points, not just the big ticket items. Belinda Paddington is like Lands End in that way - you can drop thousands of dollars on things like Woolly coat from Vanessa Bruno or a Jamin Puech beaded clutch bag, but you can also get away with (slightly) cheaper purchases of beautiful separates or a little necklace. I like when a store has a mix like that. It recognises that a variety of customers like the store, not just the women who can afford a multi-zero price tag. 

Located in Paddington's chic William St shopping district, sandwiched between the trendy Oxford St and the homely Glenmore Road and 5 ways (where Lands End is), the shop is close enough to a main road to catch passing traffic, but tucked enough away to be almost like a destination store. You have to know it's there, or at least have the desire to see what is down this little terraced street in Paddington. And when you get there, the exposed, paint-peeling brick walls and white-washed floor boards create an atmosphere that is just as cool as the clothes. A boutique is much, much more than the sum of its parts. The best ones don't just have clothes, they have ideas, and inspiration. Whenever I go to Belinda Paddington (which is quite often, considering it is very close to my house - just my luck to live next to some of the best stores in Sydney!) - I feel refreshed. It is a store that is refreshing - the clothes are simple, deceptively so really. The VM girls put them together in ways that make you go, oh! Yes, I need a slouchy grey shirt with subtly "stains" and "burn marks" to tuck into a pleated maxi skirt under a leather vest. 



Belinda Paddington is, essentially, very Paddington. I say young, but what I mean by that is the high flying 30 somethings working in fashion and communications who can wear Alexander Wang and Chloe sandals to work. It's not super young - there is the Corner Store for that - and perhaps even a little too old for me, but then, who makes the rules about that. I've always been of the mind that you should wear what you want. Life's too short.  And Belinda Paddington makes me want to wear what I want. And what I want is everything from their store. 

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back to SCHOULER



Today was my first day back at uni for second semester and I must say I'm enjoying easing myself back into study and lecture pads and weekly bus tickets. I hate uni while I'm there, but being on holidays reminded me that study's not all bad. There are $6 thai lunches, the best chai lattes in town and the chance to see your friends everyday. This semester would be complete if I could run from class to class carrying a proenza schouler ps1 in my hand. These are the winter colours, and they sing of chestnuts roasting by an open fire, christmas trees and colder climates. I love that almost burgundy red in the top left hand corner and the opulent purple python in the middle of the bottom row. What a perfect combination of utility and fashion, the best marriage of practicality and frivolity - a bag with many compartments, that resembles a simple school boy satchel and with the added bonus of two straps - but in beautiful, heart-racing colours like purple, cobalt blue or even - WHITE. If anyone would like to send one of these my way I will be a happy, happy girl indeed. 

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runway to reality







Daria for Chanel - Daria fan site

The minute I saw the new Chanel campaign I was immediately reminded of this campaign with Daria Werbowy from way back in 2005. Although there's not a yeti-suit or furry boot in sight, the contrast of the high-luxe clothing and the gritty streets of New York - in the current ad campaign the maroon fire escapes of a lower east side apartment building - is a popular idea for advertising. The biggest dilemma for many designers, especially those with highly fantastical ideas and elaborate technique, is how to translate the fashion from runway to reality. An ad campaign set in the "real world" - whether its the streets of Paris or the beaches of Ibiza - is one way in which clothes that on the runway seemed strange and avant-garde can be made accessible for the average person. That's why millions of dollars are spent of making advertisements accessible - they invariably translate into sales. Maybe you didn't see the show, but you'll see the ad campaign in every magazine you buy, in department stores, on the side of the flagship boutiques, maybe even a snippet of it on TV. Seeing a girl - a model girl with gazelle legs and a face cut from glass, but a girl nonetheless - wearing the clothes in an everyday situation like running to and fro in the big smoke can be a major factor in the purchasing of luxury. And we all know luxury can be a big business. That's why I love ads like this. Sure, the fantasy ads that capture the spirit of the collection are all well and good, but I say, save that for perfume. Hold the imagery for cosmetics. When I want my fashion ad campaigns I want ones that are REAL LIFE. that make me want to buy the clothes. That make me think - I could be that girl, even when I know I really can't be.

I don't think even the most real of photos could make me want to wear the fur suits of the last Chanel collection, but it doesn't hurt to try!

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primp and preen



style.com

I think I'm growing up a little. The collections that are exciting me, i mean, really exciting me, are the one that are almost... well... serious. Phoebe Philo, Thakoon Panchigul, Yigal Azrouel - I'm talking about designers who know how to drape, how to cut and how to hem a trouser just so. I'm talking about clothes that you can run from an office to dinner in, and from dinner to a party. High Voltage clothes with a hint of glamour, a hint of seriousness, and a load of fun. Clothes that are for the modern woman - woman, not girl see. The woman that I think I am, underneath all my Disney films and my teen vogues lies beneath. I've just bought a couple of things that are signifying my move into this more adult territory. One is a simple lurex jumper in a deep wine purple, the other is a multi-chain necklace with contrasting metals, glass beads and colours. They both sound a little crazy, but they are modern clothes for the urban jungle when paired with my structured skirts and lace up ballet flats or strappy gladiator sandals.

Preen is one of those designers who I have never really taken much notice of before - until now. Preen's not really colourful or bold or extravagant or exotic: all my pre-requisites in a designer, Marni and Dries Van Noten aren't my favourites for nothing. But what I'm loving about Preen's collection is how high voltage it is. These clothes have IMPACT. The little cut out sections are sexy without being indecent, the big jackets swathe around the models like beautiful cocoons. I love the flash of colour in the sophisticated floral print and that anything but baby-ish lilac. I love the idea of an evening gown that is essentially a little bra-let top above a sweeping floor length gown. If you have the upper arms for it I imagine the impact would be incredible - the flash of skin, that long and lean silhouette. It's like 90s minimalism but on crack. None of these things are anywhere near my style... now. But the more I see fashion shows like this, the more I am inspired. The more I want to pare back everything I wear and focus on that JOLT of high voltage glamour - the cut out, the print, the cinched in waist, the flounces and frills. 

It's no wonder that Preen sells out of Net-A-Porter within minutes. Their sexy but serious, concentrated but crazy kind of modern fashion is what I imagine your average high flying career woman would drape across their body. Minus the bare flesh, I suppose. I am neither a career woman nor high flying, but I am very, very inspired. watch this space.

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phone in



garance dore, sartorialist, stockholm street style


There are great outfits, and there are great outfits, and these are of the latter. Outfits that make you go - why the hell didn't i think of that? Why didn't i think of a blurry palette of neutrals and knits, pushing my old cargo shirt's sleeves wayyyy up past my elbows and pairing it with an itty bitty floral mini, or a simple pencil skirt and lots of toe cleavage. These are the kinds of looks i love, not the every-day mesh/sheer/harem pant/power shoulders/ripped tee shirt grungey kind but the ones that are colourful, unique, and totally individual. That sing to the soul and not the street cred. That are all about the clothes you love, the clutch you, well, clutch, and the shoes you can barely walk in. My perfect outfit is something akin to this, one that I can put on without thinking and that I am super, super comfortable in. Comfortable enough to just stand, clicking away on my phone, whilst a street style photographer breezes past. I like to think Giovanna was just having a natter with whatshisname Roitfeld, that Lisa Marie Fernandez was checking on the shipment of her next drop of neoprene mini dresses and that Aurora was tapping a text out to Anna Dello Russo.

Maybe they were on twitter? 

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as seen on...



I get a sneaky thrill out of seeing something I own on one of my style icons. I feel like we have a connection that spans career, nationality, even hair colour - we have the same taste! I take it as the highest compliment that Taylor Tomasi-Hill and I own the same pair of Alexander Wang freja boots. Even if I'm not as quirky-chic as her (although I like to think I have touches), at least we can wear the same shoes. 

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want more more more!



I clearly can't get enough of shearling. I spent melbourne trawling through op shops and charity stores leaping at the sight of anything fuzzy. And when stopping by the acne store (where I picked up a beautiful pistachio green silk shirt, mm!) I noticed the new drop of shearling clothes - beautiful huuuuge collars to turn up on cold days and aviator style hats lined with furry sheepskin. I imagine these are the kind of coats that are warm - like Keira's bad boy or Lou's oversized collar-ed lovely. I wouldn't even mind Richard Nicoll's lumberjack plaids (in store now at Lands End) or the gorgeous Donna Karan sleeveless number. I do love me something sleeveless. I think that would be the height of fashion's impracticality - a shearling lined coat supposed to be warm warm warm, but with sleeves chopped off. Now what would be the point of that? But fashion is not about things making sense, it's about things looking GOOD. 

and boy, does shearling look good.

P.S Topshop, mercifully, have done a high street version (for a whopping 350 pounds! phwwoooaarr), and it is SOLD OUT on their website. I guess I'm not the only one lusting after a bit of sheepskin this season. Fingers crossed sportsgirl hops on the bandwagon!



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the real world


tfs, justjared, garance dore


Magazines have been proclaiming for some months now that there has been a shift in the fashion paradigm. With the stock market down and people zipping their wallets up tight tight tight, fashion has decided to take a walk on the simple side. They have pared it back - the crazy, the unattainable, the bizarre and the wild - and scrubbed it clean until you can see the bare bones of what fashion is and should be - CLOTHES. Should fashion be imaginative? Yes, by god, yes. Should we "dress up"? Yes, we bloody well should. But we're going to dress up and imagine ourselves in a way that is real and true. That is, not who we SHOULD be, but who we ARE, which is something just as exciting and fantastic as any couture collection. 

"Real fashion". What does that mean? It means collections that show clothes, real clothes, that could go straight from the model to you, no matter what size or colour or creed. It means clothes that are streamlined and chic and urban. It means clothes that aren't worried about trends - even if they eventually form them. It is no wonder that the best collections were designed by women - Stella McCartney, Phoebe Philo, Hannah McGibbon - who seem to understand perfectly what women really want. It's not a head to toe Yetti costume in gorilla fur, but a sharp, oil-slick suit with leather pockets and a high collar you can turn up to the rain and fold down in a meeting. It's an a line skirt that skims over everything and swishes as you move. It's the perfect shirt, just loose enough, unbuttoned to there, with the sleeves bunched up at the elbows. 

The come back of the shirt is a sign that real fashion is having a moment. The shirt is the epitome of "real" clothes, ones that are simple and sometimes confused with boring. It is, in fact, the building block of the wardrobe. I love shirts, they are simple, but beautiful, beautiful beautiful. They hang well on every kind of body, they accentuate curves and hide everything else. They are very, very real. They are all the same, really, despite patterns and cuffs and buttons and collars. They are just sleeves and tails. I've taken to wearing long, loose shirts over long, loose skirts, and it is something marvellous. There is nothing fussy about it. It is real fashion, for real people. like me!

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melbourne!













Melbourne is a city of surprises. You are surprised that coffee could taste that good, you are surprised that you could find a jayson brunsdon dress for that cheap, or an acne shirt in pistachio green that fit you like a glove, or a chocolate filled with buttery caramel that melts on your tongue... You are surprised that Chapel Street goes that far. You are surprised that by some happy accident you are staying in the penthouse, and you have floor to ceiling views across a sprawling, fairy-light metropolis. You are surprised at the amount of facial hair. You are definitely surprised at the amount of attractive men. You are surprised at the lack of the laid-back that you are accustomed to in Sydney, but are surprised at how easily you slip into grown up sophistication that Melbourne seems to encourage. You are surprised by how sad you are to leave. You are surprised that even in the dead of winter there is the chance to run around without tights. You are surprised by Melbourne's turkish delight sunsets and brisk egg yolk mornings.

I think it's quite funny being a tourist in a city in your own country. I suppose tourist is the wrong word, because you are both tourist and non tourist - you have both the home ground advantage and the element of surprise. You speak the language and you know the systems and you understand the culture, but you're also seeing it through the eyes of your own city. I was unsure how to deal with Melbourne at first. I had to shake off that Sydney mindset - Chai lattes and havianas and straightened hair. People say that Melbourne is the Paris of Australia, and you can really see it. They have a little culture. Theatres, restaurants. It's Grown Up. Melbourne is not a city for kids, it's one for Adults. And, well, that's what I am. I think. Melbourne makes me think I'm an adult - a coffee drinking, high heel wearing, credit card wielding adult. Although make mine a skim mocha with one sugar, a wedge heel with inbuilt platform an a debit card, if you please.

You are not surprised that you are planning another trip back. Soon.

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