Showing posts with label cold. Show all posts
Showing posts with label cold. Show all posts

the start of things

'I remember the rain - how it hammered day and night against the windowpanes; how my grandmother left a hay bale outside the back door to act as a dam; how Mrs Maddox came to us for buckets when her porch began leaking... My grandfather's hair plastered itself down over his forehead, like weed. And I remember how, by Valentine's Day, the heaving ewes were huddled in the barn, the Brych finally burst her banks, and the mud came. Mud - such a small word. It looks weak, bashful, what harm can three letters do? The answer is more than you think. That mud was the start of things.' 

Susan Fletcher, Eve Green


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Uniform (2)




Maybe it's the sudden cold snap that we've had, but I've rediscovered my overalls, in a big way. I put them to the side for a little bit once I fell (truly, madly) deeply in love with birkenstocks, and feared that pairing the two together might be somewhat of an unforgiveable fashion faux pas. Not that I care about things like that, but... well there are only so many questioning stares that a gal can take. But over the weekend, as the chill creeped in - over blankets and through thin cardigans - I realised that what I really wanted to wear was something all in one, with deep pockets and thick straps and a bracing, reassuring sturdiness. I curled up in my parent's bed, electric blanket set to HIGH, and read books and drank tea and furled and unfurled my toes and played with my hair and thought about painting my nails. A few times I had visitors, they came with cake and left with none, and I sat cross-legged on an armchair, plotting international trips and gossiping. Overalls are so comfortable, so effortless, so easy, in all situations. They are made for the weekend. And that is what we really talk about when we talk about overalls. 

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winter favourites




When I was in Tasmania I lived on a steady diet of these little things. A beanie to keep my head warm, sunglasses to shield my eyes, a spicy fragrance and rich handcream and a few little bits of gold for a touch of glamour. Sydney has well and truly bid farewell to winter and is ringing in the warmer months shamelessly. I've even seen a few lucky people eating mangoes at uni. But, true to form, I'm going to cling to the last vestiges of winter while I still can. Farewell cold weather, I knew thee well.

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the honeymoon period




Definitely still in the thralls of my overall honeymoon period. While in Tasmania I've barely worn anything else, rotating between denim and black twill with a roster of sweaters underneath, a knitted beanie up top and a big coat over it all to combat some of that bass strait chill. Just my kind of weather.

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into the wild

kinfolk

I really don't think I can wait until November. I was going to try and find some more appropriate images to match this post but then I saw these and I couldn't help myself. A visit to a peony farm..... I don't think the internet will be able to cope after this. Tomorrow I'm heading to Tasmania for a week and a bit. I'm looking forward to some more quiet time to get (even more) acquainted with my thesis. And I'm also looking forward to going to a part of Australia I have always wanted to visit. Tasmania is a foodie capital, a chilly paradise land for people who love coats (pick me! pick me!) and also happens to be the unofficial Australian home of the peony. How about that for a link? I'll be in the North West of Tasmania, so if anyone has any tips for places to eat/visit/see up there (specifically around Burnie/Devonport/Penguin) leave a comment or send me an email hryee1@hotmail.com . I'm mostly looking forward to finding a nice cosy cafe to sit in to knock out my last chapter.

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moderne

'Her manner is shy, but casual and friendly, and her gamine face crinkles easily into an attractive, rather secret smile. She wore a simple black sweater and gray skirt; if she is a vain girl the only indication of it was her high-heeled shoes, which were of elegantly worked light gray leather... She is sincere and helpful, but questions that are pompous or elaborate, or about personal life, or that might be interpreted as challenging her work, are liable to elicit only a simple “oui” or “non,” or “je ne sais pas—je ne sais pas du tout”—and then an amused, disconcerting smile.' 

On Francoise Sagan's style, The Paris Review Art of Fiction No. 15



La Garconne Moderne is the epitome of how I wished I dressed. Therein lies the slight - and yes, slightly upsetting - distinction, in that even though in my head I look like this as I go about my daily chores it all ends up a bit scruffier due to my general inability to look put together. Such is life. As it is the quarterly look books that are posited unceremoniously into my inbox provide me with endless sartorial inspiration. A pair of straight leg jeans and a turtleneck here, a tunic and a barette there, there's something about the way these ensembles - inspired by thoughtful, understated icons like Joan Didion - speak for themselves, just loud enough to be noticed by those who are truly looking for them. Style that is secretive in its elegance and distinction, that conceals much - the body, the insecurities, the price tags - but that still has that certain something the French like to call je ne sais quoi. Every season La Garconne Moderne has it, and I want it, oh so badly.

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all white


It's maybe (probably not) (hopefully) (maybe, maybe) going to snow this week in the blue mountains. You know how much I love snow so.... you can imagine I am very excited. Even the whisper of snow, the idea of it, the dream of it, makes me smile. In fact, maybe it's always the dream of snow that makes me smile. You don't get much of it in Australia so you always want more. If it snows this week I might just be the happiest I've been in a very long time. Since, well, I last saw snow.

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cinematic style - Julia Roberts in Mona Lisa Smile




Some people don't like Julia Roberts and to those people I ask the question: have you never seen Mona Lisa Smile? Sure she's awful in Eat Pray Love (you just want to slap her) and in My Best Friend's Wedding she's such a bad person you can't even want to be her friend. But I think Julia Roberts get such a bad rap. She's like my actress because I grew up on a steady diet of Notting Hill and Mystic Pizza and Runaway Bride and Pretty Woman and Stepmom. Her corn-fed good looks and shiny hair and perfect skin were some of the defining aspects of my cinematic coming-of-age. Her and Richard Gere = ultimate movie couple of all time. I'll just never get past that laugh. (obviously, we've already had her twice now. I promise this will be the last for a little while!)

I think she is the most endearing in Mona Lisa Smile. Mostly her character in this movie is so real. She has flaws - she lets go of the good guy and takes up with the wrong guy, she can't see past her prejudices and she's naive in a way that she oughtn't to be, not really, she says the wrong thing and sometimes thinks the wrong thing, too. But the difference is that her character is good. She wants to help. She tries. She's the outsider in the establishment at Wellesley and she wants to make a difference. She has stars in her eyes but they're the right stars. She's the Professor Keating for our generation. And I guess in many ways this movie is trying to be Dead Poet's Society for girls. And I think, also, in many ways, it succeeds. The last scene of the movie is as moving a finale of this kind of pedagogy-drama film as I've ever seen. (and trust me, I've seen my fair share. I like coming of age tales, remember?)

Catherine Watson's style is total blue-stocking chic. In fact, this was the kind of blue-stocking chic that the term was invented for. She wears big cardigans and pretty, slightly exotic-looking blouses (She was a renegade, after all) and loafers and massive camel overcoats or tweed macintoshes. It's New England in the winter. It's preppy, university style, done right by someone who's been around the block once or twice. I love so many of the outfits in this film, from the flippy, frothy skirts paired with tight sweaters and flouncy hair, to the way they all seem like naturals on bikes with their paperbag waist trousers and collared shirts. Her hair in this is fantastic. Since I've started wearing my hair half-up, half-down I've become more and more interested in barettes and the like. She's got a stunning array of hair accoutrements in this film, plus she wears it in a way I've been dying to try - high pony tail with side fringe curling down. What a dream to be a Senior on campus taught by someone as inspiring as her. Can you tell I'm not quite ready to be done with university yet?

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p.s I'm taking requests for cinematic style! Leave a comment or get in touch on twitter (@hannahroserose) if you have a movie you think deserves to be featured. I've got a few lined up but always looking for the next wardrobe to fawn over...
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