Showing posts with label garance dore. Show all posts
Showing posts with label garance dore. Show all posts

today is cancelled


I wish. I'm at work in a big sweater and ill-advised birkenstocks (it's pouring down outside, and a little bit inside too, hmmm), and just trying to stay warm. The only upside? My work is inside sydney's best new cafe. Now that definitely helps.

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more


I want more piercings! There's something very chic about a row of delicate piercings snaking their way up your ear. Someone needs talk me out of it... Until then, congratulations to Kate Ford, Modette, Mermaid78, Marnie and Rachhud who are the winners of the Gatsby giveaway! Thanks for all your Gatsby inspiration.  I love hosting giveaways so please keep checking back over the next few weeks!

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things I'm going to do this summer - #16-18


spruced // garance dore // freunde von freunden


sixteen. buy a hat and actually wear it. you can start laughing at me now, g.
seventeen. paint my nails white and wear just one first knuckle ring.
eighteen. look up. 

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all white


It's maybe (probably not) (hopefully) (maybe, maybe) going to snow this week in the blue mountains. You know how much I love snow so.... you can imagine I am very excited. Even the whisper of snow, the idea of it, the dream of it, makes me smile. In fact, maybe it's always the dream of snow that makes me smile. You don't get much of it in Australia so you always want more. If it snows this week I might just be the happiest I've been in a very long time. Since, well, I last saw snow.

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that girl

source // screencaps from the superga x garance video


And just like that, I want long hair again.

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the everything




Show me the girl who wouldn't give it all up for the perfect pair of overalls and I'll show you a liar. 

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not yet



Thanks for reminding me I still haven't got the perfect leopard print coat yet, Garance.

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that girl in the hat


All throughout Paris and London I toyed with getting a hat. I perused the windows at Lock and Co, I stalked the display area for Maison Michele at le Bon Marche. The idea was fermented in Milan, after seeing scores of women running through the Galleria wearing their purchases from Borsalino. After that it just grew - the Italians wear hats well - until by the time I got to Paris all I could think about was snapping up an expensive felt topper of my own. I thought I had put this whole hat thing to rest. Remember the year before last when every second post was about hats and how I was obsessed with finding the right one? Well I found one, and I wore it, but I soon came to the realisation that I might not be a hat person. As I tried to explain to my friend in Paris, it all seems fine and dandy to buy a hat in Europe, and wear it with belted tweed coats and cashmere scarves wrapped tight, but then you get back to Sydney, and instead of being that girl in the hat, you're just that girl in the hat. I'm not convinced that I'm ready for the scrutiny that comes with wearing a hat. But I just can't quite get this image out of my head; of hair tucked up, and oversized turtleneck sweaters, and a stiff felt hat on top of it all.

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back to the start



First knuckle rings got a little crazy there for a while. It was like the arm party gravitated south, and everyone had super stacks going on with a million rings elbowing each other out of the way (sometimes right off your finger and onto the subway platform, sniff beloved Jordan Askill heart) for attention. I was guilty of it. We all were. But then the zeitgeist caught up and we moved on - to ear cuffs and anklets and ankle cuffs and earlets (that's next, folks) - because that's what fashion folk do, and that's what we did. But now, it's come full circle. Gone are the days of a million delicate things piled up on your hands. I'm welcoming back with eager, open palms (and fingers) just one or two first knuckle rings, doubled-up maybe, but not necessarily, just like it was at the start.

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shopping list



After the tickets and the accommodation and the insurance comes the shopping list. I don't care how many galleries and museums and monuments you throw at me - and I'll take them all, I'll take them all - one of the greatest thrills of overseas travel is the chance to snag something that you can't get at home. Yes, with chain stores opening up in Australia and online stores starting to ship to our shoes this is getting harder. But luckily there are a few little bits and pieces that seem to have slipped through the clutches of globalisation. Such as COS, that beautiful, beautiful high-street store full of minimalist separates and chunky shoes and lace knickers. And specialty French teas, so beloved of my mum, and always guaranteed to put me in the good books when I return, jet-lagged and exhausted and and with a suitcase full of washing. And how could I forget porselli ballet flats. They're hard enough to get your hands on in Europe - either at A.P.C (who they collaborate with) or at their specialty stores, where they sell out regularly within minutes. Forget Repetto. Here are some authentic ballet flats made by a family company based just behind the Scala in Milan, with a softly softly leather sole, tiny little tie threads hanging loose at the top and a long toebox, which I've always thought is more flattering on the foot. These are, hands down, the best ballet flats, comfortable and simple and easy, and I always stock up when I'm overseas.

I remember reading a December issue of Vogue America once, ages and ages ago, where three editors discussed their gifting methods for the holidays. One was going chain store, getting everyone presents on the cheap. Another was going for a recycled theme, scouring vintage scores and antiques markets for the perfect present. But the last - my favourite - bought all her relatives their gifts when she was in Europe at the shows. Some people got small things; little squares of chocolate from Mazet or tiny wardrobe scent blocks from Diptyque. Others got larger, more special things. Personalised stationery from the historic paperie in the Marais, an antique wooden shaving set (purely decorative, of course), tiny little baby booties hand-knitted in Venice. And someone got a pair of Porselli ballet flats - "the original and the best" - because they were young, and lovely, and mad about ballet. The editor who wrote that article was Sally Singer, the then Fashion Features Director at Vogue, and totally brilliant. It was a great piece, because Singer managed - as she always does - to walk that fine line between that breathy, holier-than-thou glamour of Vogue and the breathy, starry-eyed glamour of a true romantic. So you need to have money and position and place if you want to run around Europe buying antique shaving sets and personalised stationery for everyone in your life. But porselli ballet flats... well, you can just be a normal girl on holiday, stumbling into a store on a search for ice cream and trying a pair on and suddenly, swiftly, completely falling in love. Love at first sight.

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the ideal



Isn't this how we all want to dress? Isn't this exactly the kind of girl we picture in our mind when we stand in front of the wardrobe, head cocked to one side, the base of our foot resting against the side of one calf as we contemplate the sad-looking threads that hang up on wooden coathangers? Isn't that exactly the kind of blue shirt - definitely 'borrowed from the boyfriend', big enough to flare out at the back, with pockets to hang sunglasses from and drop your phone in and starch-crisp cuffs - that we search for through an endless ream of stores? Isn't that exactly the kind of anklet - gold and glam and all of that good stuff - that we dream of slipping around our feet every day for a touch of modern insouciance? Aren't those exactly the kind of red ballet flats that you seem to spend the whole of your life looking for, round-toed but not too round-toed, flat but with the perfect amount of arch, with a high back and a low side-cut and oh, don't even get me started on that lipstick hue?

If I lived in New York I would dress just like this.

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on the list



At the moment I'm drawing up a list for my must-visit, must-see, must-enjoy places to go in New York, and even before seeing these beautiful pictures on Garance's blog, Mast Brothers Chocolate was on it. I remember seeing it first on kinfolk maybe and feeling a slow smile spread honey-like across my face. This is how chocolate should be, simple and fun and full of life. It reminded me of my favourite chocolate, Mazet, from Montargis in Paris, just good, creamy chocolate flecked through with a bit of something nice, like salted caramel or almonds pralines, or - hark! sour cherry. I know I'm going to love Mast Brothers just from seeing the packaging, and I think these will make the perfect presents for my family back in Sydney - cranberry for my brothers, some kind of toffee/caramel number for mum, and dark dark dark with a hint of coffee for dad.

I'm still working on that list, even as we speak. If anyone has any must-visit cafes, restaurants, bars and shops, or even cute little parks, nice quiet museums and places to rest your weary feet after a day of soaking in the city - let me know! Leave a comment or send me an email, I'd love to hear your recommendations.

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chilly



GOD how excited am I to dress like this in a mere 6 days! In 6 days I'll be able to get out my ankle boots and woollen coats, my shearling vest and oversized parkas, my cashmere scarves and knitted gloves, my cosy sweaters and thick jeans, my long sleeve shirts and warm toppers. GOD how excited am I to be in New York? Seriously if I don't stop thinking about it, and about wearing winter clothes, and about being cold, and about drinking so much coffee, and eating so many steaming bowls of soups, I think I'm going to explode. 

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atelier



When I'm all grown up and very busy and important I'm going to give it all up to freelance and work from home and I'm going to refer to my light-filled, white-walled, high-ceilinged apartment as my "atelier" even though I'll just be writing bits and pieces and not making delicate, dainty, slip-of-a-thing rings and bracelets and I'll eat bushels of peaches and drink cups of tea every single day and be completely, unashamedly, irrevocably happy.
 
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ps. more beautiful double rings! definitely my favourite thing at the moment.
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double trouble

one - garance dore, two - me

I've been wearing double rings lately and feeling pretty good about the situation. Not as fancy as Lara Melchior's number, but in the same vein, and somewhat recalling that amazing repossi ring. Somewhat. For someone who's not a big ring person, and who really only wears this YSL ring - the complete antithesis to this delicate double up number - this has been a definite adjustment. I used to take my ring off whenever I did anything, went on the computer, ate a sandwich, sliced a mango, washed my hands, sat down on a chair. I know, I know, kind of ridiculous. But once it became force of habit I did it subconsciously and it was hard to get out of it. I began leaving my ring behind - in public bathrooms, in restaurants, on shop counters. Every time I realised about 20 seconds later that I wasn't wearing my beautiful, beautiful ring and I rushed back to said bathroom, resto or shop to retrieve it and everytime I was lucky enough to encounter kind, honest people who had handed it in. Of course, it's easier to find a big hulk of jade when it's lost than it is a tiny delicate sliver of silver, or a whisper of gold. So I've taught myself to be more careful of these little guys and leave them on my hands most of the time. It's kind of touching to have jewellery that never leaves me, something that is slowly yet ever so surely becoming a part of me. I like it a lot.

A few people have been asking what the rings are. They go so well together they might as well be a pair, but they're actually two separate rings (and I love the mixed silver and gold together, oooh). The first ring is a tiny flower ring from Me & Ro. It was a gift from the lovely Talisa and Rohan and I love it so! The gold ring is the Catbird threadbare ring, and my brother's girlfriend gave it to me. The description on the site says "Thin as a whisper... shiny as flaxen hair. Barely there... glimmering and delicate." Isn't that just wonderful? I would love to get a job writing copy for a website like Catbird or La Garconne. Brand writing in general is appealing to me at the moment, ever since finding the careers tab at Net a Porter and finding out that Natalie from Canned Fashion has a job there as a fashion writer. What is this mysterious world of fashion writing outside of magazines that no-one has told me about? And when can I get a job doing it?

I'd love to write copy about Isabel coats and me & ro jewellery and repetto ballet flats all day long. And get staff discount and whatever lovely store I happened to find myself at. Where can I sign up for that job?

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grey


It's a teensy, tiny, little sliver of a bit cold today, so naturally out comes the shearling and a big smile on my face. I would love to be living in Paris right now, drinking coffee in a cosy sweater and an oversized shearling vest, in a beautiful apartment with timber floors and high, white walls. But hey, you can't have everything in life. It's enough to get to wear my favourite, favourite winter clothes every now and then in the hot months when it turns grey. That is truly one of life's great pleasures, no?

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ps. I compiled a list of my top ten things that I love this November for one of my favourite Australian brands, Benah. It's over on their blog if you want to have a little geez. Some of them you must be sick of hearing about already (serge lutens, anklets, brvtvs), but I've got room 10, guilty pleasures, aesop and mymu espadrilles on there too. Check it out!
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suit up!


I had fished it out of his closet - a starchy white shirt with crisp cuffs and drop shoulders, a pair of black trousers with a pleat front and deep pockets that I had to cuff three times, and a dark jacket (of course, it's not a suit without a jacket!) with glossy lapels and hard shoulder pads that I quickly cut off. I didn't have anything to wear that night, no dress to wear to the fancy party that my friends had fake tanned and blow dried and wriggled into sparkly dresses for. No dress at all really, I'm much more of a skirt kind of gal. So I did what any self-respecting Annie Hall fanatic would do and went straight to my dad's wardrobe. To be fair this wasn't my first foray into menswear. I had been pairing his stripey shirts (sleeves rolled up, natch) with leggings and tennis shoes for months - I was going through a little bit of an 80s-influenced American Apparel phase. But this was to be the first time I had taken a whole outfit; pants, shirt, jacket and all. The shoes would be taken care of at my end. There's nothing sexier than a suit with heels, right? But as for the rest of it? Well, thanks dad.

What an entrance. I've never been so comfortable or content at a party - never before or since. There's something about a suit that makes you relax a bit, it's all about the stance - hands thrust deep into pockets, jacket hanging off your shoulders like a cape, sitting with one ankle rested on the other knee. People came up to me - people who've never really had a nice thing to say to me - and said I looked great. I felt great! I had twisted my hair up into a messy chignon, slicked a bit of gloss on (hey! gloss was hot back then) and tried to emulate some of the greats of cross-dressing. Bianca Jagger in YSL at Studio 54. Diane Keaton in a three piece suit in Manhattan. A slick-haired Helmut Newton muse smoking on a Parisian street. I think I was less knowing, more naive, but oh, it felt good to play a part, even for just one night. It was the start of a long-term love affair with menswear that continues even to this day, and culminates in that suit now residing firmly in my own wardrobe and not my father's (sorry dad! but you did say yes). But at the time it wasn't about subverting traditions of dress or making a statement, it was born - as all good things in my life are - of a need to be comfortable, and a lack of anything else clean. From such beginnings do these things grow.

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rue debelleyme


Rue Debelleyme is my favourite street in the whole of Paris, it starts, at the tip, at a junction with the industrial brashness of the 3rd arrondissement, a clash between an old world and the new, and then winds down through the Marais in the manner of all good Parisian streets until it ends up, somewhat triumphantly at a Church. Along the way you are treated to such a wonderful mixture of shops and characters you feel like you must, you simply must be in Paris - from the APC store at the corner of the rue vielle du temple, to that tiny little jewellery store whose name you have forgotten that sells little string bracelets with single beads on them. They are beautiful and simple and cost 95 euros, but you love them. You can start up the top and have brunch at The Rose Bakery, of course, eating salad and savoury tarts and little pizza slices, finished off with Carrot Cake of course. Or you could save that as the crowning glory in the afternoon and start at the bottom, even further down than Rue Debelleyme, at the Place des Vosges or Rue de Turenne. 

The worst thing is is that you'll see girls that look like this the whole way down. Maybe not so dressed up, but they'll be wearing ballet flats (perfect, perfect black ballet flats) and little wrap skirts and big sweaters and a loose trench coat and you'll be thinking - how? how can I look just like that? No matter how much Isabel Marant you wear, no matter how many pairs of repettos slip into on your feet, no matter how much embryolisse you slather over your face it never looks quite right. But I've come to appreciate that there is a certain something to the Australian style that is also noteworthy. The French may have perfect polish with just a hint of grunge, we Aussies have laidback, easy-going, positively friendly style down to a T. Yes, I do think that Australian style is friendly. It's outgoing and bubbly, just like we are. It is often simply and unfussy - sweaters and a long skirt, jeans and a drapey tee shirt - but it also has a sense of humour. There are bright colours, or funny prints, or interesting materials. Australian style doesn't take itself too seriously - which I think is the principal concern I have, at times, with French style. There was one day in Paris when, by complete happy accident, I was wearing an outfit entirely comprised of Australian designers. A bassike tee shirt, my country road black jersey midi skirt, my Carly Hunter shearling vest and little Benah kodi bag. It was the day I felt most comfortable and relaxed, with my sleeves rolled up and my bag slung across my body I strode down rue Debelleyme with a big smile on my face. 

Exploring and investigating this idea of Australian style has long been an area of interest of mine. I wonder if there are French blogs who bemoan the fact that they can wander down Glenmore Road and run into a million and one Australian girls wearing denim cut offs and striped vest singlet with their hair out looking so good. Perhaps there are. Perhaps, as with everything, the grass is greener on the other side. Perhaps. But I think it takes a foreign country to appreciate the idiosyncrasies and quirks of your own. After being in Paris I longed for a full glass of wine in a proper wine glass - not those dessert wine glasses they seem to proffer at French cafes - I longed for city-scapes that weren't all Hausmann, where the house fronts were all different, I longed for hot summer weather spent at a beach, a proper beach. Some of that is not Paris' fault but rather the nature by which I was visiting her. There are past times I have been to Paris and longed to be Parisian, dressing myself in frilly scarves and eschewing boots in favour of ballet flats just so I could get the thrill of being asked directions in French. Rue Debelleyme is my favourite street in the whole of Paris. Because there, one sunny Parisian day while wearing Bassike and Country Road and Carly Hunter and Benah someone came up to me on the street and asked me, in English, whether my bag was from Benah and did I get it in Australia? No matter how far you are from home, you'll always know a fellow Aussie. And that's a nice thought.

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ps. don't forget to enter my Maille giveaway! 
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down under


One of my friends is a real Agent Provocateur addict. She is obsessed with that Rosie Huntington Whiteley video. You know the one (yes, yes, you do). She convinced my other friend to go on a 75% off sale spending spree the other night after a boozy dinner, in which things like this ended up in her shopping basket mysteriously. I do like Agent Provocateur. It's sexy and it's fun. But hey, call me old fashioned, but I like this kind of underwear too. Super simple, super soft, super comfy, super sexy. Semi-sheer, like the infamous Scarlet Johannson moment in Lost in Translation, perfect for lazing around the house - when no-one else is home, natch, I still live with parents and brothers - with nothing else but a sweatshirt. This pair is by Ten, a cute little label that sends you the undies in Air-mail packages. It's all quirky-chic in that French ingenue kind of way. You can imagine them working perfectly under tapered navy blue pants and an oatmeal sweater (incidentally, the exact outfit I wore today). For Australians, it's that Bonds kind of mentality. Some occasions call for going all out, I guess in that way we can think of Agent Provocateur as the cocktail dress of the lingerie world. And some occasions allow you to dress down. When you're like me and you prefer to keep it - keep everything - simple, this is just so appealing. 

I've said before that one of my favourite things is dressing casual all the time - even when I'm not strictly supposed to. I love getting around tricky dress codes by wearing a suit. I'm the casual girl! Sure, I've got loads of really pretty, really nice knickers. But to be honest, I only really wear this kind. All the time. 

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PS. Don't forget about my Shopbop Giveaway! You've still got time to enter, I'll be closing the giveaway at 10PM (Sydney Time) on Wednesday and drawing the winner then. Good luck! 
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on greener grass, among other things

 garance dore

Everyone always says that, in matters of hair, you always want what you can't have. Girls with straight hair dream of curls, and the ones with the ringlets desire it to be whip-sharp like a poker. That's why both curling irons and GHDs - why both hair dye and bleach - are popular in equal measure. Hair has been a neverending battle (I guess some would say "lifelong love affair") of mine. I started with a bob and a fringe, which I decided to grow out a la Alexa Chung, which then ended up in my current state, hair that is very, very long and in much need of a change. I boomerang back and forth - keep it long, cut it short, go blunt, go layered, get more balayage, grow that bad boy out - and I think I bore my friends with endless chatter about it. The problem is that I genuinely believe that hair is the anchor of good style. Healthy, lustrous locks complete outfits in a way that an accesory can. As all the best - and cheesiest - hairdressers expound; You wear your hair everyday. yeah yeah yeah. 

My current hair obsession involves cutting it. I cycle through these desires every now and then, and they usually coincide with seeing something on a website that inspires me to either, pick up scissors or grip onto my hair and protect it from them. These girls from Garance do nothing for my current hair state of mind. Those too-long, in-between-hairdresser-visit lengths that hit just below the shoulder and that ruffled, tousled texture is exactly what I want my hair to look like at the moment. I even love Kym's balayage, subtle and easy to wear, it looks like she was born with it. Kym's hair is probably more of the length and style that I want. Though I love the first girl's hair I think that you need more curls to make that look work. I have a subtle, but nonetheless present wave to my locks that is quite similar to Kym's. I also have balayage but it much more blonde. I remember what it was like to have that length, how to style it, what I had to do to take care of it, how it worked with my face shape...  I remember reading an article by Plum Sykes about that new hair length and how it opened up possibilities in her wardrobe. I have noticed recently that super long hair such as mine does impact upon the clothes you wear. I rarely wear it out, but rather in a half up-half down style with most of it bunched in a pull-through pony at the top of my head. When I do wear it down I hate the heaviness and the heat, as well as how my ends are unhealthy (nobody's fault but mine, though). But I also hate how it looks with clothes. It just looks... weird. As if it shouldn't be there, hanging over my shoulders like an ugly scarf. Maybe it's the cut, maybe it's the layers, but my hair tends to hang them, boringly, with very little to it other than sheer volume. I feel like - since I have had that just-past-shoulders length of hair before when I was growing out my bob - I could do it again quite easily, and it would be so much easier to "wear", such as it is.

The only problem is, that when I had that length of hair I hated it. I thought it was tired, that I couldn't do anything with it, that it was like the rough, unwashed version of Gwyneth's Paltrow's SuberBob and it didn't work with my style. I desperately, desperately wanted something else. I wanted long hair. Like I said, you always want what you can't have.

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