I have to thank Stevie for introducing me to this editorial, which is kind of perfect. Kind of perfect just like the Juergen Teller advertisements, which everyone seems to hate but I love, because there's nothing better than Celine that's grainy and out of focus and so real. "Unapologetic" is what Oyster calls them. Unapologetic and unassuming. One of the things about Celine is that it functions best away from hi-res and flash and the world of gloss. It's best on the backs of wealthy editors, or on the arms of harried students, or just out and about, here and there.
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